a'll is a nice way to show a character is from the South, but if every other word out of your character's mouth is ya'll, then it can get tedious to read. Remember a little goes a long way.

3. Tie up all the loose ends of your story's plot. If you have a minor plot l

You've spent long hours writing your story. You have made sure each character has been fleshed out, the plot is to die for, and the ending is breathtaking. Now, you're ready to start submitting your piece, right?

Wrong.

Writing your story is only half the task. Once you get your story written, it's time to begin revising your work. Revising is an important part of writing. You want your work to be as perfect as humanly possible, so revising is essential. Spelling errors and grammar problems are only part of what you need to look for. Run-on sentences, plot lines that go nowhere and incorrect words also need to be addressed.

When you are ready to start revising your piece, keep these eight things in mind.

1. Read it aloud. Your ears will catch awkward wording your eyes missed. If you are stumbling over parts, or having to go back and re-read something, then it needs to be either reworded or expanded.

2. Listen to your characters' dialogue. Does it sound natural? Does it fit the characters? Be sure you don't have too much dialect in your dialogue. Ya'll is a nice way to show a character is from the South, but if every other word out of your character's mouth is ya'll, then it can get tedious to read. Remember a little goes a long way.

3. Tie up all the loose ends of your story's plot. If you have a minor plot li

Once you get your story written, it's time to begin revising your work. Revising is an important part of writing. You want your work to be as perfect as humanly possible, so revising is essential. Spelling errors and grammar problems are only part of what you need to look for. Run-on sentences, plot lines that go nowhere and incorrect words also need to be addressed.

When you are ready to start revising your piece, keep these eight things in mind.

1. Read it aloud. Your ears will catch awkward wording your eyes missed. If you are stumbling over parts, or having to go back and re-read something, then it needs to be either reworded or expanded.

2. Listen to your characters' dialogue. Does it sound natural? Does it fit the characters? Be sure you don't have too much dialect in your dialogue. Ya'll is a nice way to show a character is from the South, but if every other word out of your character's mouth is ya'll, then it can get tedious to read. Remember a little goes a long way.

3. Tie up all the loose ends of your story's plot. If you have a minor plot l

for. Run-on sentences, plot lines that go nowhere and incorrect words also need to be addressed.

When you are ready to start revising your piece, keep these eight things in mind.

1. Read it aloud. Your ears will catch awkward wording your eyes missed. If you are stumbling over parts, or having to go back and re-read something, then it needs to be either reworded or expanded.

2. Listen to your characters' dialogue. Does it sound natural? Does it fit the characters? Be sure you don't have too much dialect in your dialogue. Ya'll is a nice way to show a character is from the South, but if every other word out of your character's mouth is ya'll, then it can get tedious to read. Remember a little goes a long way.

3. Tie up all the loose ends of your story's plot. If you have a minor plot l

e stumbling over parts, or having to go back and re-read something, then it needs to be either reworded or expanded.

2. Listen to your characters' dialogue. Does it sound natural? Does it fit the characters? Be sure you don't have too much dialect in your dialogue. Ya'll is a nice way to show a character is from the South, but if every other word out of your character's mouth is ya'll, then it can get tedious to read. Remember a little goes a long way.

3. Tie up all the loose ends of your story's plot. If you have a minor plot l

a'll is a nice way to show a character is from the South, but if every other word out of your character's mouth is ya'll, then it can get tedious to read. Remember a little goes a long way.

3. Tie up all the loose ends of your story's plot. If you have a minor plot line going be sure to end it. Don't leave your reader hanging at the end wondering what happened to Tony when he went off down that dark alley to help the main character look for clues.

4. Avoid using the same word over and over. Every writer does this, even the most famous. If you are careful, you can catch these minor repeats and replace the overused word with a more suitable one. Buy a good thesaurus and use it.

5. Beware of run-on sentences. A sentence with too many clauses and phrases can be confusing. Try breaking a run-on sentence into two, or shortening it.

6. Be careful of words that sound the same, but have different meanings. They're-there-their all sound the same, but don't mean the same. Same with it's-its. Remember your spell checker isn't going to catch these kinds of typos, you have to.

7. Use exclamation points only when one of the characters, or the writer, is actually exclaiming. It was a wild, exciting ride. Period. No exclamation point. But with, "What a wild, exciting ride!" the exclamation point is right. Be sure to use question mar