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Digg it UP - The 'No Brand' Brand
Bringing Architects and Their Partners Together: The Power of a Secure Extranet last time I saw someone wearing a hooded top was that violent youth in the bar the other night, or the last pair of Doc Martins I saw were worn loose, by a guy with a shaved head and a swastika tattoo. We brand things by associations in our lives which are often played up by the companies and retailers themselves through promotion and advertising. You can argue the ‘no brand’ brand allows an openness in interpretation and association so you may brand Muji as an environmentally aware retailer, the next guy sees it as a Japanese company with a philosophy synonymous with ancient Oriental teachings or for someone else as the guys that sell those cool T-shirts that come in 10cm cube packaging.An extranet is a private network within which document sharing can take place by specific groups of users outside the organization through a network administrator. An organization may allow authorized customers and partner’s access to the system after verifying the usernames and passwords.The extranet: Enhanced document sharing and collaborationArchitectural firms have increasingly been using extranet to send and receive documents in a secure environment. All the relevant information about a particular project can be made available to all the individuals who are part of the project, be it the clients or other partners in the venture. Construction companies can access the CAD drawings and plans immediately, without much waiting. It also enhances the relati The real questi Gum Removal in Air Terminals Branding is ‘the’ buzzword of the 21st Century. It is the consumer’s bible by which we live by to distinguish what is ‘right’ about certain products and services and what is ‘wrong’. Branding is there to create a connection with our inner selves, and just as we as humans are infinitely varied and different, so too are the brands that we are exposed to. Yet what if you turned your back on brands, or at least say you have. If a brand is a corporate identity, are you not in effect turning your back on identifying yourself to the general public? With the debut opening of the first Muji store in the New York Time Building at the end of the year I think it’s a fitting time to introduce the American public to the consumer antithesis, the ‘no brand’ brand.So many people use air terminals for their travel that it is virtually impossible to avoid finding gum throughout the terminal. Adding to the problem of gum removal in air terminals is the fact that even in the terminals' shops and stores, chewing gum is sold. Chewing gum machines allow people to buy gum easily, without having to set foot in one of the stores. Children chew it throughout the terminal, and they are more prone to leaving these little "gifts" than adults are (and they are quite prone to it as well). The only solution is gum removal in air terminals.The challenges to gum removal in air terminals:Gum removal in air terminals can be time consuming and expensive, tying up cleaning crews and cleaning contractors. Chewing gum pollution sticks to ev A lady, sitting next to Raymond Loewy (many call him the father of Industrial Design) at dinner, struck up a conversation. If there was ever a quote best expressing the brand that is Muji, this would be it. Yes I called Muji a brand so before you double take and make sure your reading the same article let me tell you a bit about Muji. Muji is essentially a lifestyle shop, specializing in providing simple, affordable goods while considering production and environmental impact, selling everything from wall mounted CD players to a re-used yarn elephant cuddly toy. The company is huge in Japan, with over 285 shops and 3400 employees and a range of offspring within its primary business including Cafe Muji, Meal Muji, Muji Campsite, Muji Opticians and Muji+Infill, an “off-the-peg architect designed open plan, energy efficient house”. Muji is all about minimalism, avoidance of waste in packaging and production and a strict no-logo policy. Even the name Muji is derived from the much longer ‘Mujirushi Ryōhin’, which translates as ‘No brand, quality goods’. The great quote with Raymond Loewy is a perfect example of why Muji’s success is growing exponentially and why I can’t stop being drawn into one of the 3 shops in London every time I’m there. This corporate entity from a different land, exotic, mysterious with its indecipherable Japanese product descriptions, sucks you in like a fly to light. Normally the only readable text in the shop is the name outside although for the Japanese, the store must be like an Ikea. A lifestyle that you buy into with affordable solutions for modern living. In the West the identity of the company changes dramatically, it truly lives up to it’s name as a ‘no brand’ brand so, inadvertently yet entirely understandable, Muji has made a brand out of no brand. Why? Simple, human nature. As a human being, we remember things by association. We remember that the last time I saw someone wearing a hooded top was that violent youth in the bar the other night, or the last pair of Doc Martins I saw were worn loose, by a guy with a shaved head and a swastika tattoo. We brand things by associations in our lives which are often played up by the companies and retailers themselves through promotion and advertising. You can argue the ‘no brand’ brand allows an openness in interpretation and association so you may brand Muji as an environmentally aware retailer, the next guy sees it as a Japanese company with a philosophy synonymous with ancient Oriental teachings or for someone else as the guys that sell those cool T-shirts that come in 10cm cube packaging. The real questio Advertising - Everyone's Doing It, But Nobody’s Doing It Right - How About Your Small Business
Are you advertising right now in a publication? If you are, how’s it working for you? Did you know that most business ads: Look all the same as everyone else’s Provide no real reason to choose their company over a competitorUse tired, overused phrases that customers don’t believe or care about, like, “We’ve got great service”, or “been around since 1776”. Don’t give the prospect a call to action – something that specifically tells them “Do this now!”Neglect to focus on what their customers REALLY want So why don’t more businesses, including your competitors stop wasting money? umer antithesis, the ‘no brand’ brand. A lady, sitting next to Raymond Loewy (many call him the father of Industrial Design) at dinner, struck up a conversation. If there was ever a quote best expressing the brand that is Muji, this would be it. Yes I called Muji a brand so before you double take and make sure your reading the same article let me tell you a bit about Muji. Muji is essentially a lifestyle shop, specializing in providing simple, affordable goods while considering production and environmental impact, selling everything from wall mounted CD players to a re-used yarn elephant cuddly toy. The company is huge in Japan, with over 285 shops and 3400 employees and a range of offspring within its primary business including Cafe Muji, Meal Muji, Muji Campsite, Muji Opticians and Muji+Infill, an “off-the-peg architect designed open plan, energy efficient house”. Muji is all about minimalism, avoidance of waste in packaging and production and a strict no-logo policy. Even the name Muji is derived from the much longer ‘Mujirushi Ryōhin’, which translates as ‘No brand, quality goods’. The great quote with Raymond Loewy is a perfect example of why Muji’s success is growing exponentially and why I can’t stop being drawn into one of the 3 shops in London every time I’m there. This corporate entity from a different land, exotic, mysterious with its indecipherable Japanese product descriptions, sucks you in like a fly to light. Normally the only readable text in the shop is the name outside although for the Japanese, the store must be like an Ikea. A lifestyle that you buy into with affordable solutions for modern living. In the West the identity of the company changes dramatically, it truly lives up to it’s name as a ‘no brand’ brand so, inadvertently yet entirely understandable, Muji has made a brand out of no brand. Why? Simple, human nature. As a human being, we remember things by association. We remember that the last time I saw someone wearing a hooded top was that violent youth in the bar the other night, or the last pair of Doc Martins I saw were worn loose, by a guy with a shaved head and a swastika tattoo. We brand things by associations in our lives which are often played up by the companies and retailers themselves through promotion and advertising. You can argue the ‘no brand’ brand allows an openness in interpretation and association so you may brand Muji as an environmentally aware retailer, the next guy sees it as a Japanese company with a philosophy synonymous with ancient Oriental teachings or for someone else as the guys that sell those cool T-shirts that come in 10cm cube packaging. The real questi RTGS Systems – Progress to Date and Future Growth ling everything from wall mounted CD players to a re-used yarn elephant cuddly toy. The company is huge in Japan, with over 285 shops and 3400 employees and a range of offspring within its primary business including Cafe Muji, Meal Muji, Muji Campsite, Muji Opticians and Muji+Infill, an “off-the-peg architect designed open plan, energy efficient house”. Muji is all about minimalism, avoidance of waste in packaging and production and a strict no-logo policy. Even the name Muji is derived from the much longer ‘Mujirushi Ryōhin’, which translates as ‘No brand, quality goods’.Real Time Gross Settlement (RTGS) is a specialized central bank application that ensures the settlement of critical payments in the financial system. Given the relatively small number of countries on our planet, one would think that the proliferation of such systems is universal. This is not the case as recent research has shown.This Fall saw the publication by the New York Federal Reserve Bank of, Staff Report (No. 260, September 2006) entitled “Technology Diffusion within Central Banking: The Case of Real-Time Gross Settlement”.The report examines the speed and the rate of the introduction of RTGS systems and technology to central banks. At the time of publication there were 174 central banks around the world. Starting in 1985 when only 3 central banks o The great quote with Raymond Loewy is a perfect example of why Muji’s success is growing exponentially and why I can’t stop being drawn into one of the 3 shops in London every time I’m there. This corporate entity from a different land, exotic, mysterious with its indecipherable Japanese product descriptions, sucks you in like a fly to light. Normally the only readable text in the shop is the name outside although for the Japanese, the store must be like an Ikea. A lifestyle that you buy into with affordable solutions for modern living. In the West the identity of the company changes dramatically, it truly lives up to it’s name as a ‘no brand’ brand so, inadvertently yet entirely understandable, Muji has made a brand out of no brand. Why? Simple, human nature. As a human being, we remember things by association. We remember that the last time I saw someone wearing a hooded top was that violent youth in the bar the other night, or the last pair of Doc Martins I saw were worn loose, by a guy with a shaved head and a swastika tattoo. We brand things by associations in our lives which are often played up by the companies and retailers themselves through promotion and advertising. You can argue the ‘no brand’ brand allows an openness in interpretation and association so you may brand Muji as an environmentally aware retailer, the next guy sees it as a Japanese company with a philosophy synonymous with ancient Oriental teachings or for someone else as the guys that sell those cool T-shirts that come in 10cm cube packaging. The real questi The Benefits of Specific Advertising drawn into one of the 3 shops in London every time I’m there. This corporate entity from a different land, exotic, mysterious with its indecipherable Japanese product descriptions, sucks you in like a fly to light. Normally the only readable text in the shop is the name outside although for the Japanese, the store must be like an Ikea. A lifestyle that you buy into with affordable solutions for modern living. In the West the identity of the company changes dramatically, it truly lives up to it’s name as a ‘no brand’ brand so, inadvertently yet entirely understandable, Muji has made a brand out of no brand. Why? Simple, human nature. As a human being, we remember things by association.The great Claude Hopkins (Author of Scientific Advertising) once said, “Platitudes and generalities roll off the human understanding like water from a duck. They leave no impression whatever.” To say, "Best in the world," "Lowest price in existence," etc. are at best simply claiming the expected. But superlatives of that sort are usually damaging. They suggest looseness of expression, a tendency to exaggerate, a careless truth. They lead readers to discount all the statements that you make.--- A Dog & Pony ShowIt’s true that people accept a certain license in ‘sales talk.’ A person may say, "Highest quality" without seeming a liar, although you realise other brands are just as good. We expect a sales person to ‘sell’ and we excuse some enthus We remember that the last time I saw someone wearing a hooded top was that violent youth in the bar the other night, or the last pair of Doc Martins I saw were worn loose, by a guy with a shaved head and a swastika tattoo. We brand things by associations in our lives which are often played up by the companies and retailers themselves through promotion and advertising. You can argue the ‘no brand’ brand allows an openness in interpretation and association so you may brand Muji as an environmentally aware retailer, the next guy sees it as a Japanese company with a philosophy synonymous with ancient Oriental teachings or for someone else as the guys that sell those cool T-shirts that come in 10cm cube packaging. The real questi Logos Tell a Story About Your Brand last time I saw someone wearing a hooded top was that violent youth in the bar the other night, or the last pair of Doc Martins I saw were worn loose, by a guy with a shaved head and a swastika tattoo. We brand things by associations in our lives which are often played up by the companies and retailers themselves through promotion and advertising. You can argue the ‘no brand’ brand allows an openness in interpretation and association so you may brand Muji as an environmentally aware retailer, the next guy sees it as a Japanese company with a philosophy synonymous with ancient Oriental teachings or for someone else as the guys that sell those cool T-shirts that come in 10cm cube packaging.Logos tell a story about your brand. Potential customers look for a logo to tell them about the value your business will deliver. More than a first impression, a logo describes what might be. For the repeat customer, a logo talks about your firm’s consistency and commitment, while reassuring the customer that buying your product again is a smart decision.Essentially, there are three kinds of logos: font-derived logos, image-based logos, and abstract logos. A font-based logo presents the letters from the company name in a stylish or memorable way; HP’s logo is an example. An image-based logo uses a graphic or photo image of what the company does as a visual representation of the firm; a good example of this would be a logo depicting a skier for a ski resort. Final The real question is whether a ‘no brand’ brand is more beneficial than a ‘brand’ brand? This is of course entirely contextual. For a company, a brand is beneficial in making money and provides them with a consumer base who care about what it means to buy certain items whether it’s clothing or electronics. Yet, people grow up and move on, as do their tastes and ideals. I know a lot of people who refuse to wear obviously, physically branded clothing because as much as the clothes may be top quality workmanship, the brand association doesn’t fit into who they are as a person or they don’t feel clothes need to say anything about them as a person. This is the audience of the ‘no brand’ brand or at least it tries to be. Brands evolve over time, often exploiting certain aspects of their character to form a niche market. A good example is American Apparel. Over time their vertical integration system of manufacture, distribution and promotion has become synonymous with being sweat shop free and environmentally conscious. In our visually saturated environment, simplifying can often physically ‘de-brand’ something. Anonymous design, as promoted by the Super Normal Exhibition, is a very powerful factor in creating something that is embraced and used, rather than idolized or displayed. Yet there needs to be a degree of availability and accessibility to the idea that means people don’t aspire to this type of design and feel they need to belong a certain type of ‘design conscious’ class. A good example of this paradox is Japanese design studio, plus minus zero, helmed by superstar Japanese designer Nauto Fukasawa. The products available exude simplicity and elegance, but due mainly to it’s availability, the design still only caters for the ‘design conscious’ or those who appreciate the ideals and design theory offered by Fukasawa. Hopefully retailers like Muji, who combine simplicity and accessibility will pave the way for a new conscious consumer, who know what they want, and know where to go to get it. One morning I was standing in a Muji shop on Carnaby Street in London’s Soho District, inspecting the huge variety in stationary on offer. I picked up every single tool and was in awe at how simple, yet beautiful they were, when from behind me in stormed a young Japanese girl, in her mid 20’s, grabbing a big handful of a very specific ball point pens as she moved past me, walked straight to the counter, payed and walked straight out. It was at that point I realized the success of Muji in providing people what they need, rather than what they think they need. Needless to say I bought at least 3 of those pens.
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