8 Reasons Cats Hate Their Litter Box

Litter boxes and litter products are marketed more for owners than they are for cats. In the article I have outlined several environmental changes owners can easily make to prevent their cats from eliminating outside of their litter box.

How Do Images Move In And Out of the Mind?

How do images move in and out of the mind? Moreover, is it logic which dictates how these images get stored, or is there some other, less obvious mechanism at work?

Shaming and Public Humiliation to Control Populations

Recently in our Online Think Tank a Canadian Socialist stated that he believed that Shaming and Public Humiliation was the best way to Control Populations, behavior and business dealings. We will call this Canadian Socialist Bob. After a little bit of listening to his reasoning, it occurred to me to flip the conversation.

Sound and Fury and The Mathematical Theory of Energy Determinants

For those who study efficiency modeling in manufacturing, computer processes, military logistic strategies or sports we know that energy should be treated as a precious commodity, no matter how much you have. Now then, if wasting energy is bad then why do so many people participate in the sound and fury of mankind?

Organizational Culture-Women-Minorities

Organizational culture remains masculine. This article addresses the issues that underly this problem.

When The Words You Use Hurt Someone Else-Part 3-Critical Humor

Critical humor is a form of verbal abuse. It hurts.

Development Of Psychology

Psychology as a science is developing with close connection with other sciences, but the greatest influence it suffers from is in sociological science.

Why Movie Directors Use Recurring Dreams

The worst part about nightmares is their tendency to repeat themselves. An isolated nightmare may not be cause for alarm, but recurrent nightmares with the same theme become quite troubling for most dreamers. The same is true with movie dream sequences. Directors use the emotional impact of recurring nightmares to ensure that characters deal with hidden fears and imminent dangers.

Adolescent Psychology

Adolescence is the intermediary stage of growth between childhood and adulthood. It represents the period of time during which a person is subjected to an array of biological transformations and runs into a number of emotional tribulations. The ages, which are termed to be part of adolescence, vary by ethnicity and extend from the preteens to nineteen years. According to the World Health Organization (WHO), adolescence encompasses the epoch of life between 10 and 20 years of age. Adolescence is an especially unstable as well as a vibrant period of any person?s life.

Medical Missions: Are We Really Making A Difference?

Medical missions: reaching-out to the needy.

Tips for Successful Conversations with Humans on Planet Earth

This article provides concise points for people looking to improve their communication skills during their conversations. It gives an overview of basic behavioral concepts and gives practical tips to produce amazing results.

Dream Shows Deceased Mother Still Attached to Her Daughter

Intensive dream work, which reveals the interior workings of the psyche, is guaranteed to change your view of reality. One of the stranger cases I encountered in decades of professional work echoed a story by Isaac Bashevis Singer which told of the Yiddish concept of the dibbuk. One definition of a dibbuk is a soul who, at death, attaches to another person as a living host rather than leave this plane of existence.

Critical Issues in Forensic Psychology: False Confessions

The topic of false confessions is another very important issue within a legal context where psychological knowledge and expertise can be brought be bear. Psychological vulnerabilities and interrogative circumstances are two of the key areas that have been examined by psychologists in relation to false confessions.

Mistakes

The most difficult problems in criminal theory are generated by dissonance between reality and belief, between the objective facts and the actor's subjective impression of the facts.